Since Suzuki is all about the repetition and review approach, I use book 1 as my daily warm up with the youtube video.
Gavotte in book 1 the last song is technically the hardest but you arent expected to play it well until you are halfway into the next book. I am just a few songs into book 2 so Im not that far ahead of you guys. Memorization of each song also helps tremendously, allows you to focus on tone and bowings much easier. I also turn the speakers up and try to match him tone for tone so it has helped my intonation too. Ive discovered where I was playing something wrong by doing this. It also shows you where you need to improve. He is really good and once I learn a song I try to play along and keep up with him.
I play along with this guy list=PLB606F40DF8A11AAE This website helps alot to figure out what the heck they symbols mean
#Minuet 3 violin plus#
It seems to me that they should cancel each other out, like a plus and minus sign. I didnt know that combined they mean to play a slight detachment. Staccatto typically means half the note value is played, Tenuto the line over the note usually means play longer than usual. The real difficulty are the staccatto quarter notes with the tenuto symbol which confused me. I found that I could roll my left hand from the left to right and as I did I could preposition my fingers so I could play it correctly and quickly. The first measure of Minuet two was the most difficult. It explains all the books song by song as well as Suzuki's thoughts on how talent should be developed. Recommended reading for all students parents and teachers is "The suzuki violinist", by William Starr. I don't mind the slow progress because I do enjoy learning the violin. So I'm taking my time to work on them before moving on to work on the next tune. I can (almost) play each variation by itself but doing all of them at one go one after another is a struggle still, and it's where my weaknesses show. Some musical talent (which I lack) will come in handy as wellĪlthough I can play the 2nd tune (Lightly Row) already, I still have not really gone past the 6 variations of twinkle twinkle little star yet after 1 month on the Suzuki book.
#Minuet 3 violin how to#
There's really no substitute to just plain practice practice practice and of course a good violin teacher to show you how it's done, where you're going wrong and how to correct it, and what to work on to progress. but after a while it gets better as you say. He tells me that most teachers don't stick to just one book since different books emphasize on different things in the beginning.Įvery new tune in either book will be a struggle at first. I actually started on Eta Cohen book 1 and my violin teacher thought that it'll be more interesting for me to go with both books at the same time. Stadler").I'm just into my 5th month of weekly lessons and I'm on Suzuki book 1. Stadler", leaving it ambiguous as to what exactly Stadler's contribution was (other than labelling the Trio " da M. The work's first publication (1801) carries the title "Menuetto avec Trio pour le Piano-Forte par W. 1, Spring 1966, p.50) suggested that the Minuet was completed by Stadler, suggesting b.33 as the point at which Stadler's contribution begins. See RISM, above.)Įrnst Oster (Journal of Music Theory, Vol. contenant / 1 Sonate 2 Fantaisies 3 Airs variés / 1 Menuetto et 1 Allegretto varié / pour le Pianoforte / et / 4 Sonates / our le Pianoforte avec accompagnement d'un Violon." (published by Breitkopf&Härtel, Leipsic (Leipzig). Received a (not necessarily 2nd, but early-not-first) publication in ca.1806 as part of "Œuvres de Mozart.
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